handmade & lettered 2012

i could make and letter cards with one hand – but the camera phone was another challenge altogether ;->

22 QUESTIONS – altered book

an abecedarium of original rhyming couplets for almost every letter.
each spread (2 square pages) has a third segment which folds over and conceals the second panel – as “yes” does here:

V – detail / closed

 So each of the third panel’s sides are part of a different composition. Here is the inside of the folding panel and what it had covered:

V – detail / open

First I wrote the text, then collaged all the pages, then lettered the texts.

text is precise, and fixed. images are metaphoric and fluid.
text is about a moment of casting thought into words.

do i get enough moonlight – detail / open

G / H – detail / open

images preserve the story and let the meaning shift.

X – detail / closed

so the text is circumspect, for the most part : tucked in, standing off to the side, sheer, small. etc – so that usually your experience has some distance from my story until you choose to read it.

X – detail / open

(to be very much continued)

the books

 

books are what i most want to do right now, i think  - the hands-on and making letters and making an experience – i want to just do that a lot… but the experiences i’ve made so far are – well – a record of the time i spent? i don’t know what they are from the outside ( of me ).

This not-knowing what *you* see is especially true of the newer, shorter, altered books, made from stripped second-hand children’s board books. I love what happens when i paste old brush-work done on translucent paper down, and i like designing a book around a relatively short text – something meant to share one idea…

A book is many things, and one of them is a frame – a structure that controls the experience and focuses the viewer in a certain way.  Books – well, traditional ones – are intimate and physical – you hold the story in your hand. The board-book pieces are a chance to experiment with designing the reader’s experience of one brief text – slowing comprehension means more time is spent with the words. As with all my work, my hope is that the extra effort charges the connection between reader and text.

aargh – my hands have no words – they do the work at the pace that works, they decide where to push and when to pull – but when it’s time to type, words to describe what i dream of for the reader feel crowded & dull.

truth is my hands give me my dream of the text – the book is an offering from me to a text i care about, or that has taken care of me… and yes, somewhere in there – the ministry at the heart of what i do – is the fierce ambition of those words resonating for someone else like a discovered home.

and/but must figure out a great deal of non-book stuff first. so this is a post to dream on… someday – every page of each book. each page of every book? better images for sure, but these are to mark the place.