22 QUESTIONS – altered book

an abecedarium of original rhyming couplets for almost every letter.
each spread (2 square pages) has a third segment which folds over and conceals the second panel – as “yes” does here:

V – detail / closed

 So each of the third panel’s sides are part of a different composition. Here is the inside of the folding panel and what it had covered:

V – detail / open

First I wrote the text, then collaged all the pages, then lettered the texts.

text is precise, and fixed. images are metaphoric and fluid.
text is about a moment of casting thought into words.

do i get enough moonlight – detail / open

G / H – detail / open

images preserve the story and let the meaning shift.

X – detail / closed

so the text is circumspect, for the most part : tucked in, standing off to the side, sheer, small. etc – so that usually your experience has some distance from my story until you choose to read it.

X – detail / open

(to be very much continued)

Image

our lives are not small. our lives are all we have and death changes everything. the long work of life is learning the love for the story.  dorothy allison

the books

 

books are what i most want to do right now, i think  - the hands-on and making letters and making an experience – i want to just do that a lot… but the experiences i’ve made so far are – well – a record of the time i spent? i don’t know what they are from the outside ( of me ).

This not-knowing what *you* see is especially true of the newer, shorter, altered books, made from stripped second-hand children’s board books. I love what happens when i paste old brush-work done on translucent paper down, and i like designing a book around a relatively short text – something meant to share one idea…

A book is many things, and one of them is a frame – a structure that controls the experience and focuses the viewer in a certain way.  Books – well, traditional ones – are intimate and physical – you hold the story in your hand. The board-book pieces are a chance to experiment with designing the reader’s experience of one brief text – slowing comprehension means more time is spent with the words. As with all my work, my hope is that the extra effort charges the connection between reader and text.

aargh – my hands have no words – they do the work at the pace that works, they decide where to push and when to pull – but when it’s time to type, words to describe what i dream of for the reader feel crowded & dull.

truth is my hands give me my dream of the text – the book is an offering from me to a text i care about, or that has taken care of me… and yes, somewhere in there – the ministry at the heart of what i do – is the fierce ambition of those words resonating for someone else like a discovered home.

and/but must figure out a great deal of non-book stuff first. so this is a post to dream on… someday – every page of each book. each page of every book? better images for sure, but these are to mark the place.