this&that

unsorted wall pieces from now & then

not so’s you’d know it

but i’ve been working. a lot. photo/assemblage pieces.

and i’ve been spending. a lot for me – especially since i have no job or work right now.
a color printer – a (daunting) commitment to printing at home.

and i’ve been in pain. a lot.
so surgery on my left hand is scheduled for day after tomorrow.
followed by awkwardness. a lot. 6 weeks of one-handed living.

and i’ve been paying attention. a lot.
and changing. a little.

who knows when or if this place will ever be a vehicle for communication – or even real reflection? I used to think my thinking might be worth sharing. I used to write and craft church services – not because i believed in god but because i believe in liturgy.  I liked constructing that experience – that communal consideration of accountability, conscience, action.

I used to be more confident – or at least more eager to perform – but confident of my ability to inspire, or to manipulate and conjure the sensation of being inspired? And is there a difference experientially for the listener?

My work has always felt like a ministry – a place where words can be met as tools of agency… blah blah whatever.  Now my own vocabularies – of connection, integrity, fearlessness – ring so hollow in a life that has never internalized them, never lived them in any way authentic enough to endure. I know this does not make me a hypocrite, but rather someone who did not know the difference between articulation and action, between insight and change – someone who did not know herself.

So. Now that I know I do not know, am i allowed to use those texts? Sure – i can use them aspirationally, meditatively – i can engage and the work will be true. That feels great.

But can I preach? Here, I mean. I don’t think so. When you write with a mind toward being read, it’s sposed to be an offering.  Coming to wordlessness about myself may be my greatest accomplishment so far. We’ll see if i have anything else to talk about.

 

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Tekst-drivən the facebook assignment 

arts&letters - original works of assemblage, collage, mixed media. mostly female texts, including my own.

utterly & not at all charmingly under construction
so each distinct ball of tangled string is a strand in a personal web of sharing & survival - but the chicken-egg queasiness is profound for someone with few friends. what i DO know is that TUMBLER is the place that is most inspiring & sustaining…

so now it’s tumbling onto the site & all the notes & buttons leave a nasty collection of graphic mousepoop at the bottom of every post. arg.

every day full of that sort of distracting question & resulting attempt to learn more about stuff that doesn’t interest me - the antithesis of making & working  

22 QUESTIONS – altered book

an abecedarium of original rhyming couplets for almost every letter.
each spread (2 square pages) has a third segment which folds over and conceals the second panel – as “yes” does here:

V – detail / closed

 So each of the third panel’s sides are part of a different composition. Here is the inside of the folding panel and what it had covered:

V – detail / open

First I wrote the text, then collaged all the pages, then lettered the texts.

text is precise, and fixed. images are metaphoric and fluid.
text is about a moment of casting thought into words.

do i get enough moonlight – detail / open

G / H – detail / open

images preserve the story and let the meaning shift.

X – detail / closed

so the text is circumspect, for the most part : tucked in, standing off to the side, sheer, small. etc – so that usually your experience has some distance from my story until you choose to read it.

X – detail / open

(to be very much continued)

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our lives are not small. our lives are all we have and death changes everything. the long work of life is learning the love for the story.  dorothy allison

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Change

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nothing ends

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capture color